To learn more about how and for what purposes Amazon uses personal information (such as Amazon Store order history), please visit our Privacy Notice. You can change your choices at any time by visiting Cookie Preferences, as described in the Cookie Notice. Click ‘Customise Cookies’ to decline these cookies, make more detailed choices, or learn more. FRENCH FILM: TEXTS AND CONTEXTS By Susan Hayward & Ginette Vincendeau Mint Item Number. Third parties use cookies for their purposes of displaying and measuring personalised ads, generating audience insights, and developing and improving products. French Film: Texts and Contexts (6) ISBN-10: 0415001315. This includes using first- and third-party cookies, which store or access standard device information such as a unique identifier. French Film: Texts and Contexts (Paperback) Publisher: Taylor & Francis Ltd ISBN: 9780415161183 Number of pages: 368 Weight: 520 g Dimensions: 234 x 156 x. French Film: Text and Contexts looks at classic French films, from the 1930s to the 1990s, providing detailed analyses of 22 major landmarks in French. She is also the author of Cinema Studies: The Key Concepts (Routledge, 2006), and, with Ginette Vincendeau, editor of French Film: Texts and Contexts. If you agree, we’ll also use cookies to complement your shopping experience across the Amazon stores as described in our Cookie Notice. We also use these cookies to understand how customers use our services (for example, by measuring site visits) so we can make improvements. Urn:oclc:877448215 Scandate 20101129224215 Scanner scribe9.la.archive.We use cookies and similar tools that are necessary to enable you to make purchases, to enhance your shopping experiences and to provide our services, as detailed in our Cookie Notice. French Film: Texts and Contexts Susan Hayward, Ginette Vincendeau Psychology Press, 2000 - Motion pictures - 348 pages 0 Reviews Reviews aren't verified, but Google checks for and removes fake. 39.95, cloth 16.95, paper The anthology French Film: Texts and Contexts is an excellent contribution to the field of European film history. OL16480590W Page-progression lr Page_number_confidence 92.90 Pages 326 Ppi 400 Related-external-id urn:isbn:0415161185 by Susan Hayward and Ginette Vincendeau London and New York: Routledge, 1990 309 pp. Hulot (1952) / Pierre Sorlin - Casque d'or casquettes, a cask of aging wine : Jacques Becker's Casque d' or (1952) Dudley Andrew - How history begets meaning : Alain Resnais' Hiroshima mon amour (1959) / Marie-Claire Ropars-Wuilleumier - The script of delinquency : François Truffaut's Les 400 coups (1959) / Anne Gillain - 'It really makes you sick!' : Jean-Luc Godard's A bout de souffle (1959) / Michel Marie - The fall of the gods : Jean-Luc Godard's Le Mépris (1963) / Jacques AumontĮye for irony : Eric Rohmer's Ma nuit chez Maud (1969) / Norman King - 'Liberté! egalité! paternité! : Jean-Luc Godard and Anne-Marie Miéville's Sauve qui peut (la vie) 1980 / Claire Pajaczkowska - Therapeutic realism : Maurice Pailat's A nos amours (1983) / Ginette Vincendeau - Representing the sexual impasse : Eric Rohmer's Les Nuits de la pleine lune (1984) / Berenice Reynaud - Beyond the gaze and into femme- filmécriture : Agnès Varda's Sans toit ni loi (1985) / Susan HaywardĪccess-restricted-item true Addeddate 16:34:44 Bookplateleaf 0002 Boxid IA129112 Camera Canon 5D City London Donorįriendsofthesanfranciscopubliclibrary Edition 1. Reader - A breath of sea air : Jacques Tati's Les Vacances de M. 'Poetry of the unconscious' : circuits of desire in two films by Germaine Dulac : La Souriante Mme Beudet (1923) and La Coquille et le clergyman (1927) / Sandy Flitterman-Lewis - History and actuality : Abel Gance's Napoléon vu par Abel Gance (1927) / Norman King - Discourse, narrative, and the subject of capital : Marcel L'Herbier's L'Argent (1929) / Richard Abel - 'Let's sing it one more time' : René Clair's Sous les toits de Paris (1930) / Michel Marie - In the name of the father : Marcel Pagnol's 'trilogy' Marius (1931), Fanny (1932), César (1936) / Ginette Vincendeau - The fleeing gaze : Jean Renoir's La Betê humaine (1938) / Michel Lagny - Poetic realism as psychoanalytical and ideological operation : Marcel Carné's Le Jour se lève (1939) / Maureen Turimīeneath the despair, the show goes on : Marcel Carné's Les Enfants du paradis (1943-1945) / Jean-Pierre Jeancolas - Gender politics : Cocteau's Belle is not that Bête : Jean Cocteau's La Belle et la Bête (1946) / Susan Hayward - The sacrament of writing : Robert Bresson's Le Journal d'un curé de campagne (1951) / Keith A.
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